after years of doing collaborations virginia enjoys working on her own tracks as a producer and not as a singer. her second ostgut release -my fantasy ep- is a great analogue deep house affair

l i m i t e d repress
a true techno auteur, mathew jonson earlier this year released his second solo album, her blurry pictures on crosstown rebels, encompassing a new evolution in his rhythmically complex and timeless approach over eight fluid and rich composition. now soon to drop is a package of unmissable blurry remixes featuring a trio of first class reworks by dixon, tale of us and akufen

transatlantyk departs for the second time and her port of call is any open-minded dancefloor around the world. as with the first journey, the well acclaimed debut 12inch by naphta, it s all about original material, this time covering a wide array of sultry ambience, orchestral lushness and raw, track-style grittiness.

elif is well-known through her collaborations with several ostgut ton artists. her voice is outstanding and you can hear her passion for music in every single syllable. marc miroir has just celebrated the anniversary of 10 years pasomusic in september 2014 and let me go now is another milestone in the label s history. let me go combines marc s sure hand for highly unique yet functional club music with elif s astounding voice. let me go comes in two versions and you can be sure that it will burn down every dance oor around the world. the songs are co-produced by evamore s ronald christoph.

it was the light. that was it. she was trying to remember what brought her to this desolate, godforsaken place. the way the moon and the stars made the shadows dance, it was magic. she slipped into a trance just thinking about it, forgetting at once the decay and the damned all around her. the shadows had fallen still long ago. then the darkness poured in. it had filled her. swallowed her whole. how long had it been now? she couldnt remember. the paper of her hands, the dust in her mouth, she barely noticed. far from any road there was a massive building with a lot of concrete rooms. inside it, a labyrinth path to bid farewell.

sheila hylton is no stranger to pop success, a veteran ja singer who has graced the charts on several occasions. nyc native robbie busch aka dj mcboing boing is a true local legend possessed of deep deep crates. frances waxist selecta - the same. separately but in a moment of intense cosmic serendipity, they each reworked two of sheilas classic but heretofore under the radar tracks, and through the bountiful wisdom of the cloud of sound, sheila heard them, united them and showered them with her blessings. golf channel is very proud of its 50th release! mcboing boing fires the lasers far into the chamber and sets coordinates for the furthest reaches of space. waxist takes sheila for a funky romantic afternoon stroll around the park. the air is full of love!

when your debut set on pete tongs essential mix starts with masters at work remixing saint etienne and ends with kraftwerk, the tunes in the middle better hold their own. that was the challenge mobilee head anja schneider set for herself on her recent addition to the legendary bbc radio program, and she delivered with the help of a debut from maya jane coles, a classics from underground resistance, and an airing of her own latest, jimmy, which, with its propelling conga loop and haunting organ climax, made for one of the most memorable moments of the two hour session.

lena willikens is a secret encyclopaedia on everything düsseldorf (see her involvement in salon des amateurs), everything brussels, and everything new wave, that is barely the whole truth- it is actually just the tip of the iceberg.

op.discs highly acclaimed 2013 double pack from radiq aka yoshihiro hanno receives some heavy reworking from three of his label mates, fumiya tanaka, akiko kiyama and aoki takamasa. fumiya tanakas reinterpretation provides an extensive, deep down edition of vida noir and renders the original beats into a minimal bass behemoth of a track that clocks in at almost ten minutes. akiko kiyama shows her peerless talent in her revision of rondo. the beats and pieces are sticking like glue each other to render exotic and mesmerizing aspect of radiqs original. aoki takamasa shows his further involvement into minimalism on his version of calling, channels a micro-house groove into a multilayered beast.

the original soundtrack from season 1 through six of *star wars: the clone wars* on 180 gram heavyweight vinyl with download code included.

especial take a side-step, welcoming up and coming producer wolf muller to the label with his remixes of indie-pop dreamer mariam the believer. two striking percussive, led reworks of her single invisible giving appear exclusively on vinyl.

laura jones second ep for visionquest eskipade takes a more serious turn for the respected female producer. featuring two hypnotic, rattling acid tracks together with a remix from sweden-based techno producer och, this is the sound of her stepping into new shoes.

>sleduyushly< or who is next on sol asylum is anton zap. we are pleased to be closing out 2014 with the delightfully well-crafted deep house that resonates within anton. we start with talking a simplistic yet deep and ever-evolving atmosphere with peculiar echoes and noises that speak to us through constantly moving metallic percussion. next rublewood with its trotting wooden clicks and oscillating claps we morph through the track until the euphoric themes expand bringing us to the next level. in my lesson, anton channels a 90s ambience with a definite feel for funk. arpeggiated synths with just a hint of acid mixed with harmonic pads and unconventional horn riffs bring this eccentric soundtrack together. finally her lesson brings us to more experimental territory with a futuristic outer galactic journey through space and time where a metronomic kick, walking bassline and gleaming pads transport us to another dimension.

i.vy presents her third release on ther own label, chinese laundry. after the first two volumes, continuing the saga in vinyl on the label, also time she s proposing a release based on the acid sound, in fact, from here come the names of the three tracks of -vol. 3 -, sonically distinct from forms of sound in both the quality of the tone and in the structure, leading to a complete trip right in the underground scene. the a-side exposes two tracks both dictated by a bassline, a sequence of acid accompanied by a drum-machine percussion, the sounds derive from -machines- that have guided the analogue creative artist, exposing grit, intensity and quality defined the synth that has a continuous evolution throughout its duration, with a sound much richer in harmonics. the other side of the coin is the b-side, a product of the collaboration between i.vy & the 90 s peacefrog producer solid state, a true evolution from the first two tracks, while following the lodging acid, the b-side results more aggressive and determined, demonstrating a mindset based on a building techno, with a strong impact on the dancefloor.

jumping straight in on the no.1 spot on itunes south africa on day of release and already one of the most celebrated albums of 2014 in the motherland, house veteran dj/producer ralf gum unleashes his third album, *in my city*, unto the rest of the world on his acclaimed gogo music label. featuring huge-hitters hugh masekela, monique bingham, omar, dele sosimi, kafele, portia monique, lee bling, jocelyn mathieu and kb this is a long-player not to be missed. this is the first 12 inch sampler from ralf gums album *in my city*!

dark entries and honey soundsystem have teamed up to release to release a special double vinyl edition of *catholic*, the lost opus of disco pioneer patrick cowley and indoor life vocalist jorge socarras. this compilation features over 80 minutes of minimal proto-techno and synth-driven post punk recorded between 1975-1979.

the second melchior album comes again with outstanding grooves, mysterious beats and great mindblowing voices !! repress 2014

the romanian trio premiesku, who comprise of livio, roby and george g, return this december with the aproape ep, their fourth outing on desolat. those that were there at the beginning of the journey will recognize that premieskus approach remains the same as ever - playful organic experimentation, sometimes groovy, sometimes hypnotic, resulting in eclectic analogue sounds of the finest calibre. the apropape ep is a unique package containing four-vinyl only tracks. buyers will then receive a download code to unlock the additional four tracks. as ever, three perspectives, no rush, no rules, just love for the music.

2021 repress!! nina kraviz launches her ???? (pronounced trip) label with a double-ep compilation entitled the deviant octopus, featuring a pair of brand new productions from kraviz alongside material from terrence dixon, emerging talent parrish smith & bjarki, and veteran producers exos & steve stoll.

parrish smith s debut of dystopic forbidding sets the tone of this label s impressive first release with a superb stark, acid ridden slab of body music. helena hauff adds to the proceedings with her remix of pankows >das vodkalied< taking no prisoners and using heavy percussion in contrast to a wonderfully tense set of arpeggiations, which all descend into skull crushing pressure. carrying over to the flip side are pankow, pioneers of the italian industrial/ebm scene, with two tracks from their legendary first tape -throw out rite- from 1983. with das vodkalied disembodied vocals are cut up and come from every direction driven by a raw, off-kilter energy and pounding beat. i m food for you cranks up the drive and anxiety to create a killer track based around stark arpeggiation. last of all, perseus traxx provides an acidic stripped down venting of frustrations which he spits out with vehemence.

for amselcom, london-based jaya shakira reworked the track in her fairy-like style, adding a piano that shows off the composition talent of loversrock. for the remix of her rework decalculator brought iannis ritter s smoky voice into the project. the artists achieve a calm, but poppy convergence, which fully does justice to the original monster/by loversrock. the b-side is a trip into oldschool sample based techno funk, containing the tracks freak and shade. freak plants a funny but dangerous musical description of a techno enthusiast into your ears. the samples used in shade sound like they could ve been recorded at the zoo and present a variety of mystic sounds.

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.

future classic, home to the likes of chet faker, jagwar ma and flume have signed sydney-based singer/producer george maple, announcing her debut ep *vacant space* and lead single, *talk talk*. the ep comes pressed on white vinyl and includes a download code.

jana kirschner - a child of the bear and blueberry soaked forests of the geographical centre of europe, the land locked land now known as slovakia, mushrooms, berries, and nuts were her toys, the folk songs of slovaks, roma, and the magyar, her education….. winning spandex clad dance comps at 8 years old down the local dom kulture - culture house - disturbingly garish singing competitions by 12, and early forays into songwriting via misguided western wannabe production…. the surest route to 90s era slovakian stardom. jana has changed course so abruptly so frequently in her now eight album career no one dare guess her next move, yet with muzika she has landed, and announced, here is music, a celebration, no rules, pompous, bombastic, day-glo nonsense, it could only come from central europe.

following on from her highly acclaimed ett lp on editions mego klara lewis presents 4 new works which further her signature explorations of field recordings, electronics, rhythm, sound and atmosphere. here lewis exemplifies her uncanny ability to harness the world outside in order to reconstruct and re-present this as amorphous musical matter. these 4 new tracks exude a certain ambiguity where standard signposts such as rhythm, ambience, texture, light and dark remain as elusive as they are present. whilst bypassing passive or photographic representation of the source material these works withhold a strong emotional quality resulting in a confident and at times brutal musical manifestation. as suggested by the title, msuic resides in a zone at once familiar and slightly off kilter, a world of lewis devising in which the listener is warmly encouraged to enter and explore. msuic is another superb collection of music as fantastic matter.

paula temple returns to r&s with her second release deathvox ep, featuring three tracks as exciting and daring as her superb debut colonized ep. deathvox is a club shaking, wild, imaginative tour de force, featuring her voice transformed like nothing on earth.

reissue of the 1973 album by r&b / soul legend syl johnson.

exotic refreshment presents symmetry, the new ep from talented producer and vocalist eluize, the moody dreamscape, inspired by her fascination with the connection & pattern in all things, is a dark, beautiful journey of ethereal arpeggios, distant strings and vocals from eluize.

when chrome canyon (stones throw) and saarid (throne of blood), formed duo soft touch in brooklyn in 2012, their intent was to make adventurous pop music. for them, adventures encompass an array of sounds including vintage disco, 90s r+b, golden era nyc hip hop and house music. their latest release on brooklyn based dither down records, is *swim in the night*. joining them this time around is norwegian vocal powerhouse, silya. her songs have been covered by vanessa hudgens and she has duetted with cee lo green and she has done everything from cabaret to rock n roll. and it is all topped off by a trio of great remixes from chrome canyon, mocean worker and walker & royce. the vinyl ep includes a download code.

played by ricardo villalobos
lady blacktronika aka “the first lady of beatdown” brings three solid productions with all in vain ep, the next instalment on bass culture records. discovered on myspace by mike huckaby back in 2007, lady blacktronika’s sound brings a gritty edge from her street days, while simultaneously oozing a unique female sensitivity. making an impressive transition from the days when the dj boys wouldn’t let her play with their toys, she runs multiple labels, sound black recordings, sound kemystry and is co-creator of cocaine records, as well as releasing on deep explorer, skylax, underground quality and now bass culture. jumping straight in with learn me baby, the a side sets the tone with a deep and pounding, powerful groove. the title track takes it up a notch, the most incessant of the package, built for that peak-time dance floor fury. while the techno undertones remain, lord knows is a beautiful swirling house number that infuses the ears and body. the common denominator in all cases is the resonating voice of lady blacktronika herself, adding the human touch… a touch of soul.

kim ann foxman launches her own record label firehouse in association with london based music and arts label, the vinyl factory, inspired by her new york residence.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

after its initial string of records, spring theory is back with its third release of the year: the record is let me love & steal, the latest ep from avalon emerson. in the past few months, emerson has moved from san francisco to berlin and has taken in her new environment s vibrant club culture, and it shows. but this four-tracker is a far cry from the dark industrial cliches that typify foreign expectations of the german capital. instead, her cuts here carry an undertone of playful sampling that balance out the sheer power and energetic intensity of her rhythmic drive — aka its a full eps worth of hard-hitting house music with even more of her idiosyncratic flair.

on her 2nd album steffi recalls classic, landmark detroit electro, while creating modern, retro-futuristic sound

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

following the success of deepchild s haitian rum runner, face to face recordings returns with a strong follow up. tim xaviers newest imprint looks to cross the boundaries between house and techno, this time featuring jamaica suk with her spektrum ep. stepping into harder techno territory the up and coming artist brings a solid 4-track ep with style and flair like none other.

heidi lord wife of rephlex/weme artist jodey kendrick 3 of heidis tracks are featured on the famous edm compilation albums this is the debut album from heidi using a unique pallet of sounds from mri machines to modular synthersizers to conversations in a super market to her own processed voice co produced by her husband i could describe what the album means to me, but i would much rather leave it to listener to experience and feel and to interpret how they see fit

the chilean born and swiss based producer claudia ayala aka masaya has been making her mark for some time with a string of impressive releases on labels such as num, perspectiv and of course her own imprint mina records.

ramona is proud to welcome back one of the most delicate flowers in the business to her flock of loved ones. alan abrahams, also better known under the monikers of bodycode and portable, returns with his new single surrender under the portable alias into ramonas bosom.

the platform is extremely crowded, however, and she cant get to mick, who is standing at the opposite end, so she shouts his name. two other passengers relay the message to mick that sue wants to talk with him. what does she want? mick relays back. tell him that im not going to marry richard, sue shouts. why not? mick asks. -because i love you! she relays. when the message finally gets to mick, he tries to make his way through the crowd but he cant get to sue, so he climbs on top of the crowd and walks over the peoples shoulders to get to her. in the final scene, they embrace while the crowd cheers.

stunning gary beck remix!incl. gary beck remix! its been a hectic summer as always for mood boss nicole moudaber. her relentless touring schedule has seen her ruling the dancefloors of every continent. on the release front shes fresh from unveiling her astonishing rework of carl cox s kommen zusammen

special triple pack for all you suruba lovers out there - contains three classic releases
suruba02: tigerskin - sequenced frame ep
suruba05: ludovic vendi - trhe legend ep
suruba07: e-contact - imagine her stoned (olene kadar remix)

always at the top of their game, hot creations this time call upon torontos nathan barato for the next release on the label. the unique and fresh sounding *everytime i see you* is a real groover with a low slung bassline creating deep swing and flow with the vocals from room 303 taking it to the next level. brazilian volkoder is first to remix, picking up the pace for the dance floor he adds a new killer bassline, stripping down the vocal but holding onto the groove. last up drumcode favourite nicole moudaber brings her techno touch to the release with her remix making this a wholly satisfying package indeed.

for this first installment of vibeline music we brought on board an industry veteran and top gun, the one and only john acquaviva along side spanish heavy hitters jordi castillo and paulo tella. to top it off, cassandria daiva brings you into her own musical universe with a bumpy, funky dancefloor pleaser.

last may saw the release of illogical directions, the third album by shinedoe, to be released with critical acclaim. surely a mesmerizing highlight in the artist s career, the album represents several deep and melodic excursions in nowadays deep and tech house, while her own imprint intacto records also added a beautiful gem in its discography. now the amsterdam based dj delivers another momentum for the world famous label, with an impressive line-up of producers reshaping some of her already monumental tracks into something completely new. yes, the remixes are upon us!

following and expanding upon the line of thought put forward in her 2013 album syzygy, lucrecia dalt ends in a place familiar, yet noticeably different on her new ep. its two tracks, esotro and veta, continually defy expectation, haunting vocal ballads that trickle into clouds of white noise, but for an acquainted listener that wont surprise.

in 2011, julia thompson (dj black b1tch) gave me a tdk sa90 tape of a spontaneous live jam by insync recorded in her flat in forest hill, south london in march 1991. she had found it in a drawer when clearing out stuff. she gave it to me to listen to simply thinking i might be interested in hearing it. of course i was, particularly because the date on the tape immediately told me that the session was recorded more than a year before the release of insyncs debut, the seminal storm on irdial discs.

whilst most will know dave maclean as the drummer, producer and de-facto leader from the mercury-nominated, uk four-piece django django, maclean is first and foremost a dj and record collector.